The Province of Benevento, with its silence and sensations that only a pristine environment could offer, is the ideal destination to spend a relaxing vacation along charming itineraries, in discovery of a slower-paced world, far-removed from the frenzy of the cities.
Benevento is a city and comune of Campania, Italy, capital of the province of Benevento, 50 kilometres (31 mi) northeast of Naples. It is situated on a hill 130 metres (427 feet) above sea level at the confluence of the Calore Irpino (or Beneventano) and the Sabato. In 2020, Benevento has 58,418 inhabitants. It is also the seat of a Catholic archbishop.
HIGHLIGHTS
Benevento occupies the site of the ancient Beneventum, originally Maleventum or even earlier Maloenton. The meaning of the name of the town is evidenced by its former Latin name, translating as good or fair wind. In the imperial period it was supposed to have been founded by Diomedes after the Trojan War.
Due to its artistic and cultural significance, the Santa Sofia Church in Benevento was declared a UNESCO World Heritage Site in 2011, as part of a group of seven historic buildings inscribed as Longobards in Italy, Places of Power (568–774 A.D.).
A patron saint of Benevento is Saint Bartholomew, the Apostle, whose relics are kept there at the Cattedrale di Santa Maria Assunta.
HIGHLIGHTS
Main sights
Ancient remains
The importance of Benevento in classical times is vouched for by the many remains of antiquity which it possesses, of which the most famous is the triumphal arch erected in honour of Trajan by the senate and people of Rome in 114, with important reliefs relating to its history. Enclosed in the walls, this construction marked the entrance in Benevento of the Via Traiana, the road built by the Spanish emperor to shorten the path from Rome to Brindisi. The reliefs show the civil and military deeds of Trajan. A great part of the arch is decorated with scenes in bas relief: particularly the pillars directed to the town represent scenes of peace and military scenes. The height of the monument is of 15,60 meter, with an arch of 8 meter, a structure composed of limestone rocks and a marble covering. The arch was put during the Middle Age in the fenced area of the town, in order to represent the Porta Aurea.
There are other considerable remains from ancient era:
- The well-preserved ancient theatre, next to the Cathedral and the Port’Arsa gate. This grandiose building was erected by Hadrian, and later expanded by Caracalla. It is a testimony of the presence of different Hellenic tendencies, in opposition to the previous art of Traiano. The theater, oriented toward the Taburno, has a diameter of 90 meters and could house up to 10,000 spectators; it was covered with polychrome marble decorated with plaster and mosaics. During the XVIII century on one extremity of the hemicycle was built the church of Santa Maria della Verità. The archaeologist Almerico Meomartini at the end of the 19th century promised the restoration but the works ended only in 1957; from that moment the theater is used for theater, dance, and opera performances. But has been lost a part of the marble cover; until today have survived the cavea, the scenery and the first two arches.
- A large cryptoporticus 60 m long, known as the ruins of Santi Quaranta, and probably an emporium. According to Meomartini, the portion preserved is only a fraction of the whole, which once measured 520 m in length.
- A brick arch called Arco del Sacramento.
- The Ponte Leproso, a bridge on the Via Appia over the Sabato river, below the city center.
- Thermae along the road to Avellino.
- The Bue Apis, popularly known as Aufara („buffalo“). It is a basement in the shape of an ox or bull coming from the Temple of Isis.
Many inscriptions and ancient fragments may be seen built into the old houses. In 1903 the foundations of the Temple of Isis were discovered close to the Arch of Trajan, and many fragments of fine sculptures in both the Egyptian and the Greco-Roman style belonging to it were found. They had apparently been used as the foundation of a portion of the city wall, reconstructed in 663 under the fear of an attack by the Byzantine emperor Constans II, the temple having been destroyed by order of the bishop, St Barbatus, to provide the necessary material (A. Meomartini, 0. Marucchi and L. Savignoni in Notizie degli Scavi, 1904, 107 sqq.).The church of Santa Sofia.
Santa Sofia
The church of Santa Sofia is a circular Lombard edifice dating to c. 760, now modernized, of small proportions, and is one of the main examples of religious Lombard architecture. The plan consists of a central hexagon with, at each vertex, columns taken from the temple of Isis; these are connected by arches which support the cupola. The inner hexagon is in turn enclosed in a decagonal ring with eight white limestone pillars and two columns next to the entrance. The church has a fine cloister of the 12th century, constructed in part of fragments of earlier buildings.[6] This cloister today is the location of the Museo del Sannio. The church interior was once totally frescoed by Byzantine artists: fragments of these paintings, portraying the Histories of Christ, can be still seen in the two side apses.
Santa Sofia was almost destroyed by the earthquake of 1688, and rebuilt in Baroque forms by commission of the then cardinal Orsini of Benevento (later Pope Benedict XIII). The original forms were hidden, and were recovered only after the discussed restoration of 1951.
In 2011, it became a UNESCO World Heritage Site as part of a group of seven inscribed as Longobards in Italy, Places of Power (568-774 A.D.).The cathedral.Rocca dei Rettori.
The Cathedral
The Cathedral of Santa Maria Assunta, with its arcaded façade and incomplete square campanile (begun in 1279 by the archbishop Romano Capodiferro) dates from the 9th century. It was rebuilt in 1114, the façade inspired by the Pisan Gothic style. Its bronze doors, adorned with bas-reliefs, are notable example of Romanesque art which may belong to the beginning of the 13th century. The interior is in the form of a basilica, the double aisles carried on ancient columns. There are ambones resting on columns supported by lions, and decorated with reliefs and coloured marble mosaic, and a candelabrum of 1311. A marble statue of the apostle San Bartolomeo, by Nicola da Monteforte, is also from the 14th century. The cathedral also contains a statue of St. Giuseppe Moscati, a native of the area. The cathedral was completely destroyed in 1943 because of bombardments: what remained of the cathedral were just the bell tower, the façade and the crypt. Another testimony of the cathedral is the XII century bronze door, the Janua Major, composed of 72 tiles with bas relief, whose fragments were rebuilt after the Second World War. The current monument, with its modern aspect, was completed in 1965 and restored between 2005 and 2012.
Benevento, just under two hours‘ drive from Naples, is some way off the beaten track. From whichever direction you arrive, the road you take is sure to be thoroughly enjoyable: olive groves, vineyards, forests, pastures and plateaus which have helped preserve the ancient and fascinating story of Benevento. You can look forward to artistic treasures, legends, fine cuisine and the spirituality of the town of Pietrelcina.
Rocca dei Rettori
The castle of Benevento, best known as Rocca dei Rettori or Rocca di Manfredi, stands at the highest point of the town, commanding the valley of the rivers Sabato and Calore, and the two main ancient roads Via Appia and Via Traiana. The site had been already used by the Samnites, who had constructed here a set of defensive terraces, and the Romans, with a thermal plant (Castellum aquae), whose remains can be still seen in the castle garden. The Benedictines had a monastery there. It received the current name in the Middle Ages, when it became the seat of the Papal governors, the Rettori.
The castle is in fact made by two distinct edifices: the Torrione („Big Tower“), which was built by the Lombards starting from 871, and the Palazzo dei Governatori, built by the Popes from 1320.
Other sights
- The Roman theatre (2nd century).The Roman theatre.
- Sant’Ilario, not far from the Arch of Traian along the first trait of the Via Traiana, is a very ancient, small building dating from the end of the 6th or the beginning of the 7th century.
- The Palazzo di Paolo V (16th century).
- The church of San Salvatore, dating from the High Middle Ages.
- The Gothic church of San Francesco alla Dogana.
- The Baroque churches of Annunziata, San Bartolomeo and San Filippo.